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February 13, 2007

Honoring Art

Victor Davis Hanson has a short but provocative post in NRO's Corner regarding the Dixie Chicks' recent Grammy sweep. Both entertainment pundits and the Dixie Chicks themselves seem to view the awards as "vindication" of their political views. The New York Times reports:

To some, the voting served not only as a referendum on President Bush's handling of the Iraq war, but also on what was perceived as country music's rejection - and radio's censorship - of the trio.

Jeff Ayeroff, a longtime music executive and an academy member, said the resounding endorsement of the group reflected the fact that the academy represents "the artist community, which was very angry at what radio did, because it was not very American." Mr. Ayeroff said he voted for the Dixie Chicks in at least one category.
. . .

"I think it says that, by and large, the creative community sees what has happened to the Dixie Chicks as unfair and unjust," said Mike Dungan, a longtime music executive who heads the C.M.A.'s board and is also the president and chief executive of the Capitol Nashville label.

They all seem to be saying what many had already suspected - "artistic" awards are often bestowed less for the quality of the art, and more for the artist's beliefs or culture. Hanson notes this, and also that such extra considerations play in other awards, such as the Nobel Prize:
The result is that we can no longer be sure whether merit and truth are the primary criteria in bestowing awards or reporting news.

This is not partisan criticism, but rather evident from remarks of a judge on the Nobel Prize committee, Jimmy Carter himself, the Dixie Chicks, etc., all apparently unafraid to make explicit the connection between politics and recognition.

But is this really all that new? The question easily leads to a timeless debate over what is "art" and how it should be valued. Many would argue artistic honors bestowed because of cultural and political beliefs unrelated to the art has been a fixture for centuries. So be it. I tend to like the Dixie Chicks music, and that's enough for me.

Posted by Joshua Claybourn at February 13, 2007 02:02 PM

Comments

Cnn.com had one of those quickvotes on their home page that asked if the DCs won for their politics or their music. I think the results can be found at http://www.cnn.com/POLLSERVER/results/30088.exclude.html , but that may not work.

The vote was pretty much 60% politics, 40% music. I think that deep down, most people understood what was really going on.

Posted by: Nathan Mates at February 13, 2007 03:44 PM | permalink

I would argue that one cannot and should not always try to separate off the 'political' from the 'artistic' content of a work of art, but at least I see how the argument for the other side is supposed to work. The idea that the Nobel Peace Prize is somehow supposed to be nonpolitical is, however, incoherent on its face.

Posted by: philosopher at February 13, 2007 05:43 PM | permalink

(And I would add: the idea that the Grammies are about some hifalutin notion of artistic achievement is rendered laughable by, e.g., this year's winner for Best Performance by a Duo or Group....)

Posted by: philosopher at February 13, 2007 05:45 PM | permalink

I never associated the Grammys with art. Even the Oscars have a better track record on honoring artistic acievement, Titanic notwithstanding.

Posted by: Alan K. Henderson at February 14, 2007 12:20 AM | permalink

Oh my gosh, no. I always thought the Grammys were basically to recognize who made the most money for the recording industry.

Posted by: Lee Anne Millinger at February 14, 2007 03:14 PM | permalink

Well, perhaps I didn't make this clear, but I certainly don't think the Grammy's are about honoring the quality of art. That's why I wrote this:

They all seem to be saying what many had already suspected - "artistic" awards are often bestowed less for the quality of the art, and more for the artist's beliefs or culture.
The question the entry attempts to raise, though, is this: should it? Some think it should honor the art's quality, and I'm just not so sure it needs to.

Posted by: Joshua Claybourn at February 14, 2007 04:03 PM | permalink

Mr. Ayeroff states, "the artist community, which was very angry at what radio did, because it was not very American." ...however I think many don't realize what the broad majority of the Dixie Chicks listening population is. They sing country music and on the whole, country music listeners are conservative. They're mostly pro-America, pro-guns, etc. So naturally when the Dixie Chicks say bad things about Bush, many of their listeners are not going to like it and that'll backlash and their popularity will most likely go down (which it did). Although Mr. Ayeroff says it is un-American, these listeners would probably argue that it is indeed very American to reject them because they made "un-American" statements. I think many of these music executives etc fail to realize this.
I on the other hand could care less what a celebrity or musician has to say about global warming, abortion, or any other political controversy. Their job is to entertain me, and I'd listen to the Dixie Chicks even if they all became lesbian and joined the Church of Scientology.

Posted by: Kelli at February 16, 2007 09:37 AM | permalink

If it was just a matter of the DC going down in popularity, and so being played accordingly less often, that would be one thing. But I think you're forgetting the _spectacle_ of anti-DC hatred that was fomented on the radio. Such an organized campaign against an artist goes far beyond merely registering that that artist has suffered a drop in popularity.

Posted by: philosopher at February 17, 2007 11:27 AM | permalink

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